Here’s what photos from the Red Hydrogen One camera look like

A little determination of shots from Red’s new telephone.




Film camera-producer Red’s excitedly foreseen Hydrogen One telephone is relatively here – preorders are slated to begin sending this week – and I had a tornado night and day to shoot with it before transportation it off to our telephone commentator. The organization forewarned us that the product wasn’t exactly completed yet, and indeed, there were some unpleasant edges. Be that as it may, generally, it functioned not surprisingly.

The camera application doesn’t offer crude (in any event not yet) and the “genuine” camera module won’t be accessible for some time. it has double back 12-megapixel f/1.8 cameras and double 8MP f/2 selfie cameras – not for zoom, but rather for profundity mapping to make H4V records for its 3D show.

Indoors

There’s mimicked profundity of-field mode (I allude to it as “foundation defocus”

ISO 651, 1/35 sec.

underneath) that products in yet keeps up a similar goals. The standard surrounding (left) versus the mimicked profundity of-field mode surrounding (right). The mode works for everything, not simply faces, and when utilized in a few scenes results in a tilt-move impact.

ISO 1179, 1/35 sec., background defocus.

Selfie, ISO 1526, 1/20 sec. Dan didn’t understand there was a physical shade catch and that he was holding it down as he moved the camera around. Presently I have several selfies of Dan that were naturally transferred to Google Photos.

Night

SO 3059, 1/25 sec.



ISO 6400, 1/25 sec. ISO 6400 is the highest sensitivity available.

ISO 3059, 1/25 sec., color saturation set to zero, HDR. I didn’t find the grayscale preset effect until the next day, so used the color tools to produce a monochrome image.

ISO 826, 1/35 sec., HDR

ISO 100, 1/280 sec., background defocus. I love New York.

ISO 101, 1/9,000 sec.

ISO 100, 1/250 sec. Colors!



ISO 100, 1/280 sec.

 

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