LG OLEDC7P review

Best top of the line TV of the year, yet there is another



The Good / The LG C7 is tied with other 2017 OLEDs as the best performing TV we’ve tried to date. It conveys idealize dark levels, wide review points, precise shading and an awesome brilliant room picture. It’s perfect with both major HDR arrangements, and HDR picture quality is superior to a year ago. Its striking outline includes a super-thin board.

The Bad / The more affordable LG OLEDB7A has a similar picture quality.

The Bottom Line / The LG C7 is the best general TV we’ve ever tried, yet the almost indistinguishable B7A is an unrivaled esteem.


Refreshed November ’17 for the 2017 Christmas season

The LG C7 has the best picture quality I’ve at any point tried. It performs similarly and also the more-costly LG E7 and Sony’s XBR-A1E OLED TVs, and superior to anything any LCD-based TVs I’ve seen, including Samsung’s new QLED-based Q7 display.

In any case, in case you’re in the market for a top of the line TV, the B7A, which I didn’t audit, is a superior esteem. It offers a similar picture quality as the C7 and costs less. How significantly less, precisely, relies upon when you read this. Amid LG’s Black Friday deal the B7A was $200 and $400 less for the 55-and 65-inch sizes, separately, however multi day after the deal finished the distinction was only $100 for the two sizes.

Beside value, the main contrasts between the two are restorative (distinctive stands) and sound related (the B7A needs Dolby Atmos unraveling and has an alternate speaker arrangement). I don’t think those highlights on the C7 are justified regardless of the additional cash to most purchasers, regardless of whether it’s simply $100 more. Look at my full audit of the LG B7A for more points of interest.


On the other hand, perhaps you esteem those distinctions enough to pay the additional cash for C7. Or on the other hand perhaps you need a much more-costly OLED for reasons unknown. Or on the other hand perhaps you’re fine with just “superb” instead of “best ever” picture quality. Assuming this is the case, there are a lot of non-OLED decisions that cost half to such an extent or less, including the TCL 55P607 or Vizio M arrangement.

Be that as it may, in case you’re in the market for a top of the line TV, it doesn’t show signs of improvement than OLED. Furthermore, with current occasion evaluating, now’s an ideal opportunity to purchase. My pick would be the B7A in light of the fact that it costs less and offers a similar picture, yet past that it’s hard to turn out badly with the C7.

One stunning TV

The C7 is a delightful report in moderation. There’s not as much as a half-inch of dark edge around the photo itself to the best and sides, more beneath, and – in an earth shattering first among TVs I’ve assessed – no logo on the front of the TV by any stretch of the imagination.


The stand has a logo. It’s silver and contained a calculated base that keeps the set upright and lookin’ sharp in the event that you rule against mounting it on the divider.

Speedy and responsive, savvy enough

The parchment wheel is likewise extraordinary for traveling through applications, similar to those apparently boundless thumbnail pushes on Netflix and Amazon. New for 2017, the remote has catches that dispatch every one in a flash, and both are welcome. I’m to a lesser extent a devotee of the unmistakable position of the voice/look catch, yet that is my exclusive main problem with the clicker.

Stacked and associated

Key TV highlights

Where LCD depends on a backdrop illumination radiating through a fluid precious stone board to make the photo, with OLED and plasma, every individual sub-pixel is in charge of making light. That is the reason OLED and plasma are known as “emissive” and LED LCD are called “transmissive” showcases, and a major motivation behind why OLED’s photo quality is so great.

The C7’s Dolby Atmos capacity just issues in the event that you have a Dolby Atmos sound framework and you need to utilize the TV’s worked in applications to pass the Atmos soundtracks. In the event that you’d rather utilize an outer spilling gadget, or couldn’t care less about Atmos, it is anything but a major ordeal and you’re fine with the B7A. About that TV’s distinctive speaker design, LG says: “Albeit add up to sound power is 40W for each, the C7 has 2 woofers (2.2 channel) while the B7A does not (4.0 channel).” at the end of the day, the C7 may have somewhat better bass. Enormous woop.

Not at all like Samsung, LG TVs like the C7 and B7A bolster both current kinds of HDR video: Dolby Vision and HDR10. The set likewise bolsters HLG HDR, and will bolster Technicolor HDR later in 2017, yet for content is as of now nonexistent for both. A Technicolor-endorsed picture mode was included October 2017.

  • 4x HDMI contributions with HDMI 2.0a, HDCP 2.2
  • 3x USB ports
  • 1x composite video input
  • Ethernet (LAN) port
  • Optical computerized sound yield
  • 1x RF (reception apparatus) input
  • RS-232 port (minijack, for benefit as it were)

The determination of associations is choice. Not at all like huge numbers of Samsung’s sets, this one really has a simple video contribution for heritage (non-HDMI) gadgets, despite the fact that it never again bolsters simple segment video.

Picture quality correlations

The C7 is by and by the best TV I’ve tried – ever. It imparts that respect to the more-costly E7 and Sony XBR-A1E 2017 OLED TVs.

Contrasted with the 2016 OLED adaptations, which earned a similar score, it conveys marginally more light yield and looks better with HDR, however everything considered the general contrasts are minor. It is altogether superior to the Samsung Q7 QLED TV

Tap the picture at the privilege to see the essential picture settings utilized as a part of the survey and to peruse more about how this current TV’s photo controls functioned amid adjustment.

Brilliant lighting: LG claims a 25 percent change in light yield over a year ago’s models. In my tests the 2017 C7 and E7 were brighter, however by close to 15 percent, and regularly by less relying upon picture mode and estimation conditions. The organization likewise confines its case to certain photo levels, which means the splendor change doesn’t have any significant bearing to everything. Long story short: don’t hope to see much, if any splendor change.


The primary concern to know, nonetheless, is that OLEDs are bounty brilliant for pretty much any lighting condition. They’re not the blinding light guns that more up to date LCD-based presentations can be, in any case, particularly when splendid substance involved a lion’s share of the screen. Think a hockey coordinate or “Cold the Snowman” unique.

Light yield correlation

The greater part of the OLED sets safeguarded and decreased reflections exceptionally well – somewhat superior to the Vizio and somewhat more regrettable than the Samsung, whose treatment of reflections is among the best I’ve at any point seen. New for 2017, LG’s OLED screens themselves have to a lesser degree a purplish tint in reflections, albeit both 2016 and 2017 OLEDs perform similarly well at darkening reflections and saving dark levels.

Shading exactness: The LGs performed well here, in spite of the fact that for reasons unknown the underlying shade of the E7 was somewhat more terrible than the C7. This prompted a distinction in post-alignment shading also, at any rate in my outlines. Survey program material, then again, didn’t demonstrate any huge contrasts, and both indicated exceedingly precise shading and fantastic immersion with both Wick’s quieted tones and the more lively palette of “Samsara.”

Video preparing: All of the OLEDs were great in this class. They passed my go-to 1080p/24 film rhythm test from “I Am Legend” in both the “Off” and the “Custom” (zero for De-Judder and 10 for De-Blur) TruMotion position. I’d likely pick the last since it likewise conveyed the TV’s most extreme movement determination (600 lines) and right film rhythm.

Whatever is left of the settings (except for Off) presented some type of smoothing, or cleanser musical show impact, and none bested that movement determination score. Sticklers for obscuring will take note of that the Samsung beat the LG with a score of 1,200 lines.

Info slack with both the C7 and E7 are enhanced from a year ago, estimating a magnificent 21 milliseconds each in Game mode. I didn’t gauge 4K or HDR slack this time around, yet I want to soon, and I’ll refresh this survey when it happens.

Off-edge and consistency: Another enormous OLED advantage over LCD is its heavenly picture when seen from off-point, in positions other than the sweet spot specifically before the screen. The OLEDs kept up dark level constancy and shading exactness much superior to anything any of the LED LCDs I’ve tried, all of which (counting the Vizio and Samsung in this lineup) wash out in correlation.

Screen consistency on the 2017 OLED sets was strong yet not impeccable, with dim, full-field designs indicating faint vertical banding, especially the E7. It wasn’t unmistakable in program material I observed be that as it may, for instance the following shot of the attack on the house in Chapter 5 of “Wick.” The LCDs, specifically the Samsung, demonstrated considerably more detectable consistency issues, for instance brilliance varieties over the screen.

HDR and 4K video: OLED looks extraordinary with 4K Blu-beam played in high powerful range, as well.

Notwithstanding their light yield mediocrity contrasted with the Samsung Q7 QLED TV on paper, face to face the LG OLED sets looked better in essentially every way. The OLEDs even estimated brighter in features than the Q7, as per spot estimations I took of the 4K BD adaptation of “John Wick,” like the glaring lights over the carport and the burst of daylight amid his landing area doughnuts.

As I’ve seen previously, the maximized backdrop illumination required by HDR compounds LCDs’ inborn imperfections, lighting up regions that ought to be darker, similar to shadows and letterbox bars, and making blossoming more perceptible. Conversely, in a manner of speaking, the OLED sets made an inky dark canvas for the splendid features of HDR to appear significantly more unequivocally.

One preferred standpoint Samsung asserts over LG is in HDR shading volume, which it says should make splendid features more beautiful. I didn’t perceive any distinctions in “Wick,” so I swung to a scene prescribed to me by a Samsung specialist, the Doomsday battle from “Batman versus Superman.”

Contrasting the 2017 OLEDs with the Samsung Q7 in ultrabright territories of shading, similar to the orange lightning around Doomsday (2:32:27) and his eye bars (2:33:51), there was no unmistakable distinction in shading at first look. Just when I delayed the activity and looked carefully did I see that the Samsung kept up immersion somewhat superior to the OLEDs in those flashes. The distinction was brief and confined to ultrabright spots of shading, in any case, and any Samsung advantage in shading volume was far exceeded by OLED’s different qualities.

Between the four OLED TVs HDR contrasts were minor, yet I give the gesture to the 2017 sets. I gauged somewhat brighter features in the E7 and C7 than in their 2016 partners, and I likewise saw a greenish tint in the 2016 sets’ default shading contrasted with the 2017 models (and the Samsung), which were more precise in midtones.

The greatest contrast, in any case, was in shading volume and detail in splendid regions. In Chapter 1 of “Batman versus Superman,” for instance, the outline of youthful Bruce Wayne climbing into the splendid sky was better-characterized on the 2017 models (and the Q7), while the red hot blasts in Chapter 7 (1:18:28) and the features of the Doomsday battle were more brilliant and itemized on the 2017 TVs.

I additionally looked at some spilling in HDR on the OLEDs, including “Frantic Dogs” on Amazon and “Jessica Jones” on Netflix, the last in Dolby Vision. Contrasts took after the patterns I saw with 4K Blu-beam, in spite of the fact that for reasons unknown the B6 looked less soaked with “Frantic Dogs” than alternate TVs. Looking at Dolby Vision on the E7 and C7 straightforwardly to HDR10 on alternate sets (circulated from a Roku Premiere+), contrasts were exceptionally hard to perceive.



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